Friday, January 2, 2015

Blog-ette # 5: The year of the Heroine


Trends in culture and social responses to them don't really tend to follow calendars and dates as much as eras and periods. Yet it's always a good thing to stop at the end of every calendar year, and purely for bookkeeping purposes, take notes on the emergent trends from the previous year however nascent or transient they might be. This thought brings me to the one particular trend I found myself surrounded by. In 2014, by chance or choice, I found myself championing strongly with the acting efforts of a few actresses, both in the honesty they bring to the table as an actor and the way they manage to embed their charm to the character's aura. As such, of the several things in Cinema that were part of new-found-land for me in 2014,  the most prominent one was me becoming an ardent follower of a few actresses. Here are some reflections on these dames.

Scarlett Johannson - Film buffs and fan boys alike recognize the respectable career of Scar-Jo given her now admirable portfolio with its fine balance of mainstream cinema and indie/arthouse fore. She's garnered good attention with her work in The Other Boleyn Girl, Lost in Translation and other similar works and at the same time, has been an outright bedroom poster girl with outings like The Black Widow in Marvel's eponymous Avengers series. I must admit I'd overlooked all of this till this year, when she voiced the most enigmatic yet sexy computer in 'Her', portrayed an Angelina-esque action figure in 'Lucy', fiddled with indie stuff in 'Chef' and yet took time out to stun film buffs with her portrayal of the terrifying yet sexy alien character in 'Under The Skin'.

Amy Adams - I'm deeply haunted by the beauty in Amy's eyes. Her eyes seem to belong to a person that is naive and innocent yet has the wisdom of a lifetime. They have a moist teariness to them which might probably be due to a sparkle of enthusiasm as much as it could be due to pain. She brought all of these emotions to her celebrated role in 'American Hustle' but she outshines that character with her portrayal of a nerdy tom-boyish lady in 'Her' who is as casual as she is elegant. I'm not sure how much of a pun Tim Burton based his casting choices on when he chose her for his latest venture 'Big Eyes'

Rosamund Pike - Glenn Close, over time, has specialized in a certain niche of characters. Characters of powerful, slightly vulnerable, professional women who make love and life choices out of their own whims and might almost make the right template fits for the ideal independent woman. I have a feeling Rosamund Pike is soon becoming the Glenn Close of her generation. She oozes an undercurrent of sexuality and vulnerability, yet is in deft control of professionalism as a lawyer in 'Jack Reacher' while she absolutely strikes it out of the ball park in 'Gone Girl' vying quite well to be the best sexy villains of all time.

Marlee Matlin - The first of my chance finds this year, I thought Marlee Matlin stood her firm ground amidst intimidating cast in the TV drama 'The West Wing'. She brings a radiance to her character as a humble yet surefooted political consultant. An expiry date on Netflix's streaming line-up then forced me to watch 'Children of a Lesser God' which only refurbished my initial impressions of Marlee as an actress. She plays a deaf person (the actress is actually deaf, a factor which in no way diminishes her acting traits) in the film who is conflicted between finding herself, trusting love and blending socially with society. The portrayal is so emphatic, strong and confident that I'd ended up wanting to watch more of her.

Patricia Arquette - A friend of mine invited me to watch David Lynch's enigmatic 'Lost Highway' at his place, leading to my discovery of Patricia Arquette. She's stunning in the flick with a gloomy beauty and gravity to her two characters, essentially the same woman portrayed by two radiant skins. We followed this viewing up with 'True Romance' a couple of weeks later, which, for me, established that she was no one trick wonder. She portrays a naive and bubbly girl to the core in this flick only to surprise the viewer by deftly pulling off a gallant and bloody fist fight with a goon shot resplendent Tony Scott style. This culminated in me strongly vouching out for her when I later went to watch 'Boyhood' and the plethora of supporting actress nominations she's received world over speak for that outing.

Meryl Streep - I must confess I was never quite acknowledging of what a tremendous actress Meryl Streep is. Being cognizant of awards proceedings, her name pops up all the time but it hasn't really occurred that I'd actually seen her in a flick. Well, that changed with a viewing of 'Sophie's Choice'. She turns out such a delicate performance in the flick, as a Jew immigrant in New York city, still troubled by her past under the Nazis while she tries to move on in her life through a series of lovers. Seldom have I seen an actress play a part embedded by a fine thread that weaves together sensuality, vulnerability, grit and pain.

This exposition of female performances in cinema that have struck me with awe this past year explains the one trend that I guess underlined movies for me in 2014 - the year dedicated to celebrating some fine heroines in Cinema. It was only a poetic coincidence that Hindi cinema also churned out some delectable shows by actresses in movies like Queen, Highway, Haider and Hasee Toh Phasee. As 2015 progresses in movie-going for me, I'm keeping an eye out for girl-power.


Thursday, January 1, 2015

Three phrase retrospectives: 2014


As I tweeted earlier, year ends are field days for bloggers, as retrospectives make terrific subjects for new blogs. Well, I'm jumping in on the bandwagon here. And in typical fashion, since this is my movie blog, here's my two pence on the films I got to watch this past year. Now, the list doesn't essentially include only those films that came out in 2014. I have a few flicks from 2013 that were amongst the prime Oscar contenders. Well, being in a university means that they've free screenings of the previous year's best films and I took the best advantage of that. Alongside these are the typical weekend films as in, the films and TV shows on Netflix. Since, that list is generally exhaustive owing to frequent couch movie marathons, I included those that caught my eye or rather stayed with me for some reason or the other. Of course, I have the occasional Hindi movie thrown in for good measure, which brings me to express utter disappointment when I say there was not one Telugu movie that I felt was worth spending my time on. So much for the second largest film industry in India.

Well, moving on to warmer thoughts, I tried giving in a twist to this rewind note. Well, reviews for films are scattered all over these days and a mighty lot of them are probably way better written than what I'd be able to fathom. For an immediate expression of what I personally felt after watching any movie, I'd probably need to start using Letterboxd, the time for which wasn't on my side so far. So that makes up for one new new year's resolution for me. So, what I did here is to just use three phrases to describe what I felt were three best/worst aspects of each of these movies. Here it goes then. The three phrase retrospective of 2014 -

Her : Scarlett Johannson's voice, finding love, humanity's social fabric

Omar : Human desperation in conflicted times, Love & War, gutsy Indie film making

Highway : Alia Bhatt surprises, Imtiaz goes Indie, Rahman goes Indie

 The Great Beauty : Companion piece to 'La Dolce Vita', soundtrack, cinematography

12 Years a Slave : Steve McQueen's intriguing surrealism, Mike Fassbender's villainy antics, Brad Pitt's southern accent

True Romance : Patricia Arquette being sexy and ferocious, Tony Scott's camera antics, Tarantino's dialogue

Lost Highway : Patricia Arquette being sexy and enigmatic, David Lynch's mysterious artistry, screenplays that incite endless discussion

Dallas Buyer's Club : Matthew McConaughey elicits emotions, Jared Leto impresses, Alright alright alright!

Nymphomaniac 1 & 2 : Mindboggling screenwriting, sheer sense of awe, ballsy cast

Captain Phillips : Paul Greengrass proves versatility, classic 'based on a real story' thriller, stand offs between Tom Hanks and Barkhad Abdi

John Wick : Nonsensical action flick, A waste of Keanu Reeves' talent, unimpressive exercise in style

The Grand Budapest Hotel : Most fun had in ages, charming storytelling, gorgeous visuals

The Lunchbox : Sublime storytelling, Nawaz Siddiqui's naivete, Neemrat Kaur's elegance

The Hustler : Paul Newman outshines everything, standard classic movie dialogue, taut storytelling

Need for Speed : Best car stunts in some time, Aaron Paul disappoints, dull pacing for an action flick

Under the Skin : Scarlett Johansson's brooding appeal, indulgent camera work, screenplays that incite endless discussion

Tahilina Sky : Kings of Leon soundtracks, rustic storytelling, honest documentary

The Ice Storm : Makes one take Ang Lee seriously, Sigourney Weaver's eyes, Christina Ricci dazzles

Dedh Ishqiya : Soundtrack, bold screenwriting, impeccable cast

Five Easy Pieces : An interesting side of Jack Nicholson, a haunting ending shot, a great monologue

Das Boot : Brilliant filmmaking techniques, seldom seen side of WW2, gutsy direction

Sophie's Choice : Meryl Streep's show through and through, undercurrents of sensuality, undercurrents of subtle emotions

The Office : Steve Carrell, Rainn Wilson, great writing

Twin Peaks : David Lynch pushes enigmatic boundaries, female cast, Red lounge soundtrack

Children of a Lesser God : Undercurrents of passion, Marlee Matlin's striking presence, William Hurt's jocular senses

From Here to Eternity : Impeccable execution, Frank Sinatra's timing, sublime plot

Shadows and Fog : Mia Farrow's elegance, quirky conversations in unusual scenarios, dazzling cinematography

Roman Holiday : Typical Italian charm in characters, Audrey Hepburn's beauty, visuals of Rome

Little White Lies : Balance of grimness and humor in script, introspective tendencies, Marion Cotillard's show

The Day I Saw your Heart : Exposition of Melanie Laurent's talent, soundtrack, subtle take on human relations

Guess who's coming to dinner : Spencer Tracy's monologue, Katherine Hepburn's poise, dialogue

Found Memories : deliberate pacing of scenes, profundity amidst extreme vagueness, gorgeous visuals

Just a Sigh : Intimacy between characters, subtlety in narration, brooding camera work

Jack Reacher : Sheer unadulterated fun, gripping storytelling, undercurrent of passion between Tom and Rosamund

Neighbors : Great premise, awful execution, Seth Rogen's wasted talent

Godzilla : Bad male lead, great storytelling technique, wrong publicity technique

Restrepo/Korengal : Gutsy documentation, unique subject, thrilling premise

Snowpiercer : A plot that incites introspection, undercurrent of social comment, decently interesting execution

Life Itself : Roger Ebert tribute, dedicated documentation, good moments of resonance

Boyhood : Historical landmark in filmmaking, Patricia Arquette exuding warmth, soundtrack

Dawn of the Planet of the Apes : Overrated drudgery, decent screenplay, achieves nothing special

Gone Girl : Terrific soundtrack-narration interplay, great balance of wit and thrill, Rosamund Pike vying for being sexiest villain ever

Fury : Stunning war visuals, unique battle tank perspective, Shia Lebouf's poignant show

Interstellar : Great silence-soundtrack balance, stunning space visuals, typical Nolan screenwriting

PK : Typical Raju Hirani lecturing, surprisingly subtle antics by Aamir Khan, execution lets down script's ambitions

Breakfast at Tiffany's : Manhattan as a backdrop, Audrey Hepburn's elegance, undercurrents of introspective storytelling

Three phrase retrospectives shall return in 2016. And possibly with a letterboxd page attached to it. Till then, have a great year in Cinema experiences folks...